Entertainment
The Genius of Robin Williams

I heard a story about Robin Williams walking into the casting office for a TV show and when the casting director was ready for him to start reading the scene, he stood on his head and did the scene upside-down. If nothing else, those casting directors would never forget a guy who did something so off-beat, so different, so genius. As it turns out, that TV show was Mork and Mindy. And the world of entertainment was never the same.
If you’ve ever seen Robin Williams do standup comedy you will be familiar with the mile-a-minute comedic insights that spewed from his intensely genius mind. And the endlessly entertaining physical comedy that accompanied it. They weren’t just jokes. They were social comments on the state of the world we exist in, wrapped up in comedy.
Harold Clurman once said, “The truth is like castor oil. It’s difficult to take and hard to swallow, so we get them to laugh and while their mouths are open, we pour a little in.” It seems that Mr. Williams embodied that sentiment. His career spanned decades and his characters rode the spectrum from comedic genius to heartfelt and touching performances that will forever be part of our lives.
Dead Poets Society is, in my mind, one of the most incredible films of our time. Beautifully executed, and with a message that art and poetry and the appreciation of a deeper culture than the text-generation we find ourselves in today, is not only needed but desperately so. Ironically, the lead character in that film took his own life, overcome by his inner demons, which was exactly the way we lost Mr. Williams.
And while lament and sadness would be the obvious reaction to such a loss, this poem written by master impressionist, Jim Meskimen in celebration of Robin Williams says it best:
“In Memory Of Robin Williams”
by Jim Meskimen
They didn’t burn all the pianos
When Fredrick Chopin died
Didn’t outlaw oil paints
when Picasso took his final ride
No one put a stop to baseball
When Mickey Mantle’s time was up
Or banned all Russian novels
When Tolstoy went belly up
On Shakespeare’s death, nobody said
“Now hath arrived the day —
From this point hence let none dare
Put forth pen to write a play!”
We celebrate what’s left
By the departed, it’s our choice
Yet it does seem sacrilegious
To do Robin Williams’ voice
A voice that was designed to soothe,
Soft, deep tones that resonate
And cascade gently outward
From behind a smiling face
A voice that could accelerate
To catch up with the mind
Like shifting into overdrive
To not get left behind
A voice that could change character
Like seconds on a clock
Or hijack nationalities
For a spin around the block
Shift age, shift viewpoint, shift I.Q.,
Whatever’s not nailed down
Destroy, rebuild, destroy again,
A formidable clown
We’ll hear this voice in future times
In reruns on TV,
It will occupy the world wide web
Live on, digitally
We’ll hear its echoes come
From other mouths and other lips
In tributes and homages, and,
Like psychedelic trips
We’ll think the owner’s back again
With his familiar sound
But they’ll all be imitations —
Just an audible rebound
New jokes aren’t in the pipeline now,
Not that the well went dry —
But the jester who possessed this voice
Just chose to say goodbye
With the wealth of joy he left us
We should probably rejoice
But it’s hard to grasp we lost the guy
Who used to have this voice.
Entertainment
Top Ranked Movies of All Time by Decade: Why the 1990s Still Reign Supreme

What makes a movie truly unforgettable? Is it the storytelling, the cinematography, the acting—or is it something more intangible, like how it makes us feel years after the credits roll? For film lovers around the globe, the answer may lie in the decades that defined their favorite titles. When considering the Top Ranked Movies of All Time by Decade, Everlist.me, a popular platform for user-generated movie rankings, may have the answer — the 1990s reign supreme when it comes to the greatest films of all time.
Everlist.me recently analyzed the top 100 highest-ranked movies of all time—based entirely on votes from its global community—and grouped them by decade. The results were striking: the 1990s led the list with 25 films featured, followed closely by the 2000s with 23. These two decades together account for nearly half of the all-time top 100, solidifying their place as cinematic powerhouses.
One could speculate as to how filmmakers were given more freedom in the 90s and how independent film was very much on the rise during that time period, or one could also extrapolate that the nostalgia of users based on demographics may hark back to their childhood favorites — but no matter what the reasons are, the lists are certainly interesting and worth taking note of.
The 1980s came in third with 19 titles, while the 2010s held a respectable 15 spots. The 1970s—often considered a landmark era for auteur filmmaking—had 11 films in the top tier. Meanwhile, older decades like the 1960s and 1940s saw only a handful of entries (3 and 1 respectively), and the still-developing 2020s era has just 3 so far.
“User-generated data tells a fascinating story about cultural impact,” said Damian Carte, CEO of Everlist.me. “When real people from around the world rank their favorite films, decade trends emerge that reflect not only artistic quality but also emotional connection, nostalgia, and influence.”
And there’s a lot to unpack in what users are voting for. The 1990s delivered modern classics like The Shawshank Redemption, Pulp Fiction, Fight Club, and The Matrix—films that not only pushed creative boundaries but also built loyal fanbases that persist today. The 2000s gave us The Lord of the Rings trilogy, The Dark Knight, Gladiator, and Eternal Sunshine of the Spotless Mind—stories that blended scale with soul.
Everlist.me’s list isn’t compiled by critics or studio execs or streaming platform algorithms — it’s shaped by the voices of everyday movie lovers. That authenticity may be what makes it so compelling.
As Carte puts it, “Our rankings aren’t about what’s fashionable at the moment—they’re about what stays with you. What you rewatch. What you quote. What you love.”
So if you’re looking for a guide to some of the greatest movies ever made—or a reason to revisit the magic of ’90s and 2000s cinema—check out Everlist.me and start ranking your own personal favorites.
And who knows? The 2020s still have time to rise…
Entertainment
Cannes 2025: Star Power, Debuts, and Global Stories Shine

As the 78th Cannes Film Festival rolls out its red carpet from May 13–24, 2025, the world’s most glamorous celebration of cinema is once again bringing together film legends, rising talent, and international storytellers in a lineup that feels both grounded in tradition and thrillingly fresh. For movie fans and travel buffs alike, Cannes is a destination worth adding to your list.
A Daring and Dynamic Official Selection
This year’s main competition showcases 22 feature films, each offering a distinctive voice. Wes Anderson returns with The Phoenician Scheme, a stylized espionage drama, while Ari Aster’s Eddington blends Western tropes with biting comedy, anchored by stars Joaquin Phoenix, Pedro Pascal, and Emma Stone.
Julia Ducournau, who won the Palme d’Or in 2021, is back with Alpha, a provocative exploration of human transformation. Richard Linklater debuts in the main competition with Nouvelle Vague, a love letter to the French New Wave. And Carla Simón’s Romería completes her trilogy about rural Spain.
One of the most historic entries comes from Akinola Davies Jr., whose film My Father’s Shadow marks Nigeria’s first-ever inclusion in the Official Selection—an important milestone for African cinema.
Spotlighting First-Time Directors
The Un Certain Regard section is brimming with bold directorial debuts. Scarlett Johansson’s Eleanor the Great tells the story of a grandmother chasing her dreams in New York, while Kristen Stewart adapts Lidia Yuknavitch’s memoir The Chronology of Water, a raw portrait of resilience.
British actor Harris Dickinson directs Urchin, a gritty, character-driven film inspired by his volunteer work with London’s homeless community. These entries highlight a growing trend: actors stepping behind the camera to deliver personal, genre-defying stories.
Star Power Returns to the Riviera
This year’s Cannes will not be short on red carpet heat. Tom Cruise is back with Mission: Impossible – The Final Reckoning, while Spike Lee screens his latest, Highest 2 Lowest, starring Denzel Washington.
Robert De Niro will be honored with a lifetime achievement Palme d’Or, celebrating a career that has defined generations of cinema. Jury president Juliette Binoche leads a panel that includes Halle Berry and Jeremy Strong, offering an international perspective on the year’s top contenders.
A Global Lineup
From Iran to Japan, this year’s lineup reflects a deep commitment to stories from around the world. Jafar Panahi’s It Was Just an Accident and Sergei Loznitsa’s Two Prosecutors offer complex takes on justice and political morality, while Renoir by Chie Hayakawa bridges cultures through a French-Japanese biopic.
Expanding the Cinematic Experience
Beyond traditional screenings, Cannes 2025 includes an immersive competition of nine entries that experiment with virtual reality and collective storytelling. Meanwhile, the beloved Cinéma de la Plage program continues to deliver beachside screenings of both classics and contemporary gems—turning the Mediterranean coast into a community theater under the stars.
Cannes 2025 isn’t just a showcase—it’s a statement: the world’s stories, from the familiar to the unexpected, belong on screen. And there’s no better stage than the Croisette.
Entertainment
Jon Bernthal Brings Broadway-Caliber Theater to Ojai

Actor Jon Bernthal is taking center stage in a new way—by bringing professional theater to the heart of Ojai, California. Known for his acclaimed roles in The Punisher and The Bear, Bernthal is launching the Ojai Theater Festival, a project that blends his passion for performance with his love for community.
The festival’s inaugural production is Ironbound, a powerful play by Pulitzer Prize-winning playwright Martyna Majok. Performances are scheduled to take place at the Chaparral Auditorium across two weekends in May. The cast features Marin Ireland, reprising her role from the original off-Broadway production, joined by Bernthal himself and actor Shiloh Fernandez. The production will be directed by Guillermo Cienfuegos.
Set against the backdrop of working-class America, Ironbound tells the story of a Polish immigrant woman navigating hardship, survival, and identity. It’s a fitting debut for a festival designed to make raw, human stories accessible to a wide audience.
Bernthal, a longtime Ojai resident, is developing the festival in partnership with fellow actors Josh Bitton and Isidora Goreshter. Together, they’re working to ensure the initiative isn’t just about performance—it’s about participation. The festival will feature open rehearsals, behind-the-scenes access, and active involvement from local students in various aspects of production, from tech to set design.
All profits from the performances will go to benefit the Nordhoff High School theater arts department, helping to fund the next generation of creatives.
This festival isn’t just a passion project—it’s a cultural investment in the Ojai community. With plans to grow the program into a recurring artistic fixture, the Ojai Theater Festival is set to become a new cornerstone for live performance on the West Coast.
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